Meredith © Lauren Gezurian-Amlani |
In her upcoming 4-session Exploring Course, she’ll take you
to some of the most photogenic places in Paris.
Each session begins with essential photo tips in a café of the chosen neighborhood. Then students are sent out with a choice of assignments that equate to “purposeful wandering.” Afterwards, they gather in a specially chosen restaurant for a review of their images. With Meredith’s techniques, you’ll move from selfies to artistic self-expression in no time!
“There’s nothing like the beauty of Paris as a backdrop. As I turn every corner I feel lost in time. I want all my students to be inspired by the city, and communicate through images what they’re thinking or feeling, and what they’re attracted to,” Meredith explains.
Each session begins with essential photo tips in a café of the chosen neighborhood. Then students are sent out with a choice of assignments that equate to “purposeful wandering.” Afterwards, they gather in a specially chosen restaurant for a review of their images. With Meredith’s techniques, you’ll move from selfies to artistic self-expression in no time!
“There’s nothing like the beauty of Paris as a backdrop. As I turn every corner I feel lost in time. I want all my students to be inspired by the city, and communicate through images what they’re thinking or feeling, and what they’re attracted to,” Meredith explains.
“It always amazes me that the members of our group can be
wandering the same streets during the same few hours and, yet, the resulting
photographs are totally unique. Everyone has a unique style, and sees the
quartier a little bit differently. That is what the art of photography is
all about.”
The swan: © Nola Erhardt |
“We also have a great heritage in the city,” she continues.
“We can’t forget we’re walking in the footsteps of the iconic 20th century Paris street photographers, such as
Cartier-Bresson, Ronis and Doisneau, who famously said, “The marvels
of daily life are exciting; no movie director can arrange the unexpected that
you find in the street.”
Some students might be timid about photographing people, but
Meredith helps them get over it.
“People might be the most interesting subjects, so they have
to be in the repertoire, and sometimes I give the assignment of finding
interesting characters in the streets. But I might also assign the theme of
water in its different forms, depth perspective, motion, or lighting
techniques. The group choses what to work on before we meet up again to see and
discuss the results as a class.”